Explore literary criticism as it is now and what it may yet become. You will have the opportunity to consider a whole range of major theoretical and philosophical concepts, such as:

• The body
• Race
• Gender
• Violence
• Ecology
• God
• Time
• Death
• War
• Self
• The animal

You will study a range of fascinating modern thinkers, ranging from Marx, Freud and Nietzsche, through to more recent figures such as Simone Weil, Walter Benjamin, Jacques Derrida, Judith Butler, Fred Moten, Cornel West and Sara Ahmed.

Develop the art of creative writing in this multi-genre workshop. Taught through a mix of lectures and tutor-led workshops the focus is on the development of your own portfolio. This could take any form and be devoted to any genre (poetry, prose, drama, screenplay etc). Working at university level, you will develop your understanding of various forms, the graft involved in editing your own work and the art of responding to the work of fellow students.

Develop key techniques for writing fiction and hone the skills you need to write short stories and/or novels.

Through workshops, discussions, set reading from a range of contemporary writers and generative writing prompts, you’ll develop confidence in creating character, worldbuilding, establishing narrative voice, experimenting with point of view and constructing engaging structures and plot.

You will draw on a range of techniques according to your own interests. In your reflective essay you will consider the various ways short fiction and the novel uniquely deploy these techniques.

Learn to write drama for the theatre and audio, and develop your awareness of the processes by which a written script makes its way to live performance and recorded production.

You will be taught through weekly seminars/workshops in which you will explore the effects that different staging/recording approaches and performance strategies have on your scripts.

Over the course of the module, you will develop your own writing styles and gain an awareness of the professional requirements of playwriting for the stage and for radio and podcasts.

How does our lived experience translate into poetry? And how does poetry crystallize or transform experience through language and form? These and many other questions are explored in this module as you will read as well as write poetry; for the writing of poetry is dependent not only your experience but also your abilities as a reader and interpreter of poems.

You will study the base structures of poetry – from the line-ending to more complex forms like sonnets and sestinas; and you will be encouraged to seek out new reading as a result of class discussion.

Explore a wide range of literature and drama from the medieval and early modern periods. The module situates medieval and early modern literature in its relevant historical and cultural contexts.

You will develop skills in the close reading of medieval and early modern texts.

Authors studied may include Chaucer, the Gawain poet, Margery Kempe, Mary Wroth, Sir Philip Sidney and Christopher Marlowe.

Examine some of the ways in which literature has explored and expressed the complexity of belief and doubt, redemption and apocalypse, damnation and revelation. You will consider the ways in which moments, motifs and ideas indebted to the sacred can be found within a wide range of texts.

Although welcoming consideration of all three Abrahamic faiths, we will focus primarily on Christian traditions and texts.

Authors studied may include:

• Julian of Norwich
• Gerard Manley Hopkins
• Oscar Wilde
• G. K. Chesterton
• James Baldwin
• Margaret Atwood
• Toni Morrison

Exploring the adaption of literature to film and other media, this module focuses on the adaptation of literary texts to such forms as theatre, graphic novel, film, television, song, and game.

You will be invited to reflect on adaptation as a powerful and complex cultural process, one that interprets literature as well as adapts it.

Throughout the module you will normally complete either a critical essay on adaptation OR a creative project (plus short essay) that enables you to produce your own work of adaptation. This may take many forms -- written, (audio) visual, musical, digital, or three-dimensional and/or take the form of a game, production or performance, etc.

What we call ‘American Literature’ and how we define America and ‘the American experience’ depends on who is writing and to whom. In this module you will encounter many different voices, many conflicting and contrasting views, a diversity of complex experience and a great range of writing in form and style.

You will explore such questions as: What role do different literary forms play in narrating the self? How does American writing seek to establish a new way of looking at the world? And how and why does literature help shape forms of protest and new critiques of modernity?

The years of Queen Victoria’s reign (1837-1901) saw great social, political and cultural transformation. Changing social conditions, extraordinary scientific breakthroughs and the emergence of new technologies all altered the ways in which Victorians thought about themselves and their environment. The literature of the period responded resourcefully to the turbulent circumstances from which it emerged.

In this module, you will examine a wide range of Victorian writing, including novels, short fiction, poetry, drama and non-fictional prose and will explore and interrogate all the complexities of the Victorian age.

Reflect on what it means to do criticism in a post-theoretical age. This module asks what happens to literary interpretation after all its many theoretical upheavals – from Marxism and feminism to postcolonialism and queer theory. Is it time to get back to the close reading of literature? Is there still room for pleasure, appreciation and creativity in the practice of criticism? We might question whether literature, in the traditional sense, even exists anymore.

You will pose these questions in relation to a range of traditional and non-traditional texts.

Explore how ideas can be developed into real-world projects with lasting value. Through hands-on collaboration and problem-solving, you will develop innovative projects, learn how to bring ideas to life and explore ways to sustain them.

Whether you are working in a team or individually, you will be encouraged to experiment with different approaches to making a difference in artistic, cultural, social and community spaces.

This module will allow you to spend the year working in a graduate-level placement role in the industry or sector that interests you most. Throughout the year, you will build an awareness of what is required in the professional workplace whilst developing a range of transferable skills.

During the module you will reflect on and critically analyse: your own career readiness, the ongoing development of your self-awareness in terms of skills and professional knowledge, and your understanding of current workplace practices and professional etiquette.

Our Careers and Placements Team will support you during your placement with online contact and learning resources.

In this multi-genre writing workshop you will develop your writing toward professional levels. Taught through a mix of lectures and tutor-led workshops, the focus is on the development of your own portfolio.

This portfolio could take any form and be devoted to any genre (poetry, prose, drama, screenplay etc). The lectures will include expert guidance from our author-tutors on how to develop your writing professionally and towards publication.

Many cutting-edge forms of creative writing work beyond written text. This module will develop your understanding of popular contemporary writing and writing industries with an advanced study of two key forms that incorporate visual elements and elements of narrative design – specifically: graphic novels and games.

You will explore the possibilities of narrative design, including its visual and interactive elements, and this will allow you to engage both critically and creatively with a branch of writing largely associated with the digital domain.

Working in small groups, you will develop your own ideas, and through workshopping and playtesting, reflect on the narrative and design decisions you have made.

What happens when radically different forms of art meet? How do these fused forms change our understanding of the world? We will draw on material from different periods and continents, to explore works of art where, for example, film meets history, poetry meets philosophy, fine art meets sociology, religion meets fiction, and theatre meets politics.

What do we understand by queerness? Looking back at earlier interpretations, we imagine how queerness might evolve—how it might be lived, felt and understood in the future.

You will explore queer futures from a range of perspectives and viewpoints, while examining both feminist and queer theory, as well as queer media and cultural texts and material relating to areas such as activism, politics and healthcare.

Study key texts and contexts from a short but remarkably intense period of literary history. Encompassing the work of writers such as Wordsworth, Blake, Keats and Shelley, you will explore the role of nature, the imagination and the sublime. You will also consider the emergence of the Gothic tradition and examine the interactions between literary and politics in a turbulent era of revolution and change.

What is the contemporary? When did the present cultural moment start and how might it end. How do?writers?respond to the challenge, excitement,?pressure?and novelty of the ‘now’??And how is imaginative writing faring in the digital age?

You will consider these questions in relation to the work of such major authors as Ali Smith, Kazuo?Ishiguro?and Colson Whitehead.

Examining a wide range of texts and authors from early periods to the age of the climate crisis, this module will explore the many and various ways in which the non-human world is celebrated, championed and exploited by the literary imagination.

You will explore questions such as:

• What do we mean by the ‘the environment’?
• What experiences, meanings and values do we take from, or discover in our surroundings?
• How have writers characterised the environment and in what ways might the literary imagination be significant for contemporary environmental concerns?

What is critical theory? Why is it one of the most controversial areas of contemporary culture today? And to what extent do theoretical ideas about power, race, gender and identity change the way we think about the world?

On this module you will explore a range of classic and contemporary themes, trends and topics in critical theory from the 1960s to the present. You’ll take a deep dive into key thinkers like Foucault, Deleuze and Agamben and key concepts like biopolitics, globalisation and animal studies.

As you enter level 6 with a grounded understanding of traditional and emerging forms of creative writing, this advanced module offers you the space to examine and practice experimental and radical contemporary forms that challenge what writing can mean, for the moment and beyond the moment it is written.

Specifically, this module will be focusing on contemporary short forms – including (but not limited to) lyric poetry, the vignette and flash fiction. You will explore the way that form responds to the moment – both a moment in time and the moment we are living in – and how these forms respond to questions of identity, politics, the body, mental health, disability, the climate crisis and more.

In this module you will work in a combination of prose and creative non-fiction to explore how personal experience can fuel both fiction and creative nonfiction and how authorial voice is created in dialogue with the self. You will learn to critically interrogate the ethics of speaking on behalf of ourselves and of others.

This advanced module interrogates the positionality of the author in relation to their audience and poses some fundamental questions about what it means to write from and beyond experience in the contemporary context.

The reading list is refreshed annually in response to developments in the field, as is appropriate for an advanced course. It offers a sustained exploration of the practice of Creative Writing across evolving or emerging forms and genres.

The final-year Dissertation is your opportunity to devise, research and explore a topic of your own choice through a programme of directed independent study. You will be helped to begin your thinking at the end of your second year and then, through your final year, you will develop your research, thinking and writing, as you build toward a substantial, self-directed project.

Almost anything is possible; for example, you could choose to explore famous literary names or themes, or research obscure figures and unusual topics. You might draw on the University Library’s special collections, or venture way beyond Lancaster to develop your research. Perhaps you will be inspired by the medievalism of historic Lancaster or the Romanticism of nearby Lake District or be drawn to the far textual shores of the digital world.

You can focus your work towards a professional career or build towards postgraduate study at master’s level. Finally, you can opt to write in classic literary critical styles or push the boundaries of literary study in new and startling ways.

Study the work of four giants of nineteenth-century British fiction: Jane Austen, Anne Brontë, Charlotte Brontë and Emily Brontë.

Focusing on questions of class, gender, power, environment and artistic technique, you will explore the tensions between Austen and the Brontes (south vs north, Regency vs Victorian, realism vs Gothic) and trace the imaginative continuities between them.

Both the Gothic and science fiction emerged in response to the 18th century ‘age of reason’ and the Western world’s investment in logic and progress. The Gothic explores the terrors of the past and its return while science fiction imagines alternative futures; in doing so, both voice the concerns of the present.

You will study both classic literary texts and contemporary film and other media. Exploring what the Gothic and science fiction each do, rather than what they each are, you will consider how these genres address some of the most pressing questions facing contemporary Western culture.

Ben Jonson claimed of Shakespeare ‘he was not of an age but for all time.’ This module, however, examines Shakespearean drama and poetry in its own time and as a platform in which early modern debates about agency and government, family and national identity, were put into play. The stage was and is a place in which questions of gender, class and race, gain immediacy through the bodies and voices of actors.

By examining texts from across Shakespeare’s career, you will explore their power to shape thoughts and feelings in both their own age and in ours. You will consider how, in the past and in the present, Shakespeare’s texts exploit the emotional and political possibilities of poetry and drama.

The assessment of this module normally concludes with either an essay OR a creative engagement (e.g. reading, performance, artwork) plus critical reflection.

The early 20th century explosion of literary experimentation known as Modernism was a movement informed by the catastrophe of the First World War, the convulsion that was the Russian Revolution and a host of dramatic developments in art, music, cinema, philosophy, theology, politics and science.

Alongside reading the literature of the time you will also consider various related artistic movements such as Dadaism, Surrealism and Vorticism. Authors covered typically include T. S. Eliot, Virginia Woolf, Jean Rhys and W. B. Yeats.